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Kyrgyzstan gambling halls

September 20th, 2015 Leave a comment Go to comments
[ English ]

The confirmed number of Kyrgyzstan gambling halls is something in a little doubt. As information from this country, out in the very most interior area of Central Asia, tends to be arduous to acquire, this may not be all that bizarre. Whether there are two or 3 authorized casinos is the thing at issue, maybe not really the most consequential article of data that we don’t have.

What no doubt will be true, as it is of many of the old Russian nations, and absolutely true of those located in Asia, is that there will be a good many more not legal and bootleg market casinos. The adjustment to acceptable betting did not energize all the former places to come away from the dark and become legitimate. So, the controversy over the total number of Kyrgyzstan’s gambling dens is a minor one at best: how many legal ones is the item we are trying to reconcile here.

We are aware that located in Bishkek, the capital metropolis, there is the Casino Las Vegas (a remarkably original name, don’t you think?), which has both gaming tables and video slots. We can also see both the Casino Bishkek and the Xanadu Casino. The two of these contain 26 video slots and 11 gaming tables, divided between roulette, vingt-et-un, and poker. Given the remarkable likeness in the sq.ft. and floor plan of these two Kyrgyzstan gambling halls, it may be even more bizarre to see that they are at the same address. This appears most bewildering, so we can no doubt determine that the list of Kyrgyzstan’s gambling dens, at least the authorized ones, is limited to two casinos, one of them having adjusted their name not long ago.

The country, in common with many of the ex-USSR, has undergone something of a fast adjustment to free-enterprise system. The Wild East, you could say, to refer to the lawless conditions of the Wild West an aeon and a half ago.

Kyrgyzstan’s gambling halls are almost certainly worth visiting, therefore, as a bit of social analysis, to see money being played as a type of social one-upmanship, the absolute consumption that Thorstein Veblen spoke about in nineteeth century America.

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